'The EMMA' - we are in awe of your work and we aspire to your level of artistic expertise!
In Jan 2011 I participated in a 5 day workshop with 5 other glass artists at Emma's studio in Dee Why. Emma opened up her studio and was particularly generous with sharing all aspects of her techniques, knowledge,experiences and culinary expertise! A technique which Emma has perfected involves the fusing of single elements and the subsequent casting of these elements into a sculptural form known as 'multiple layer casting'. This cast object must then be painstaking polished to achieve it's final form. Another technique that I found incredibly impressive was the vertical placement of prefused 'finger like' tendril elements that are positioned onto a base to achieve a tapestry like effect resulting in a glass picture. The final result is a myriad of thousands of individual pieces that when placed together form a image that has both light and movement.
I have been experimenting with incorporating some of the multiple layer techniques into my fused work which has the scope to give added depth and movement within the object. Currently I also have elements in various stages of completion that I am working on for some final casting...
I experimented with what I refer to as this 'tapestry' method by making a small glass bowl incorporating a central feature (image below). The big decision that I am curently faced with, is do I tackle an idea that I have simmering of incorprating this technique into a full on picture. "You have inspired me Emma, I am just not sure that I have your patience..." My rough drawings suggest I need 8000 of these individual elements to achieve my final result!
'Anenome Bowl' by Cindy Poole inspired by one of the many techniques of Emma Varga.
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Layered Waveybowl showing ocean water movement. |
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